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Swamp entangler disenchant
Swamp entangler disenchant







swamp entangler disenchant

The inaugural "O" is only confirmed as vocative, that is, when the first junctural lurch of "O W" is rounded out by the equally opened-mouthed apposition that results in the line's coming phonetic increment, "thou(w) breath of autumn's being." Latency and fulfillment seem almost at one in verse wording. More than this, the press of enunciation is aimed toward the very object of its own discursive gesture across the drift from the phonetically denominated "double-u" to its single and more immediately recognized graphic variant. With the titular W's wafting over the line in self-propelled graphic gusts, the first of these mere W-ords sweeps up the prearticulate "O" into an airborne but strictly lexical momentum. But writing, scribed marks, is what the intonation remains-from the first tripled whoosh of strained onomatopoetic alliteration forward. "O wild West Wind," writes Shelley in the mode of high-Romantic incantation. Early Shelley: Vulgarisms, Politics, and Fractals.Romanticism and Philosophy in an Historical Age.The 'Honourable Characteristic of Poetry': Two Hundred Years of Lyrical Ballads.

swamp entangler disenchant

Re-reading Box Hill: Reading the Practice of Reading Everyday Life.The Containment and Re-deployment of English India.Reading Shelley's Interventionist Poetry, 1819-1820.Finding Romantic Commonplaces: A Dialogue with Jerome Christensen."Waiting for the Gift: Velvet Goldmine and the Bowie-Image".Romanticism and Contemporary Poetry and Poetics."‘I Can't Give Everything Away': David Bowie and Post-Romantic Artistic Identity".'Ode on a Grecian Urn': Hypercanonicity and Pedagogy."What We Talk About When We Talk About Bowie: David Bowie and Enlightenment Philosophies of Identity"."'Will you stay': 'Kooks,' Hunky Dory, and Romantic Childhood"."'I Am' a 'Space Oddity': Echolocating (New) Romanticism in David Bowie".Romanticism and the Insistence of the Aesthetic.Introduction: David Bowies and Romanticism's Wild Mutations.Gothic Technologies: Visuality in the Romantic Era.Romanticism and Patriotism: Nation, Empire, Bodies, Rhetoric.Geoffrey Hartman and Harold Bloom: Two Interviews.Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism.Secularism, Cosmopolitanism, and Romanticism.Circulations: Romanticism and the Black Atlantic.Robert Bloomfield: The Inestimable Blessing of Letters.

swamp entangler disenchant

  • Romanticism, Forgery, and the Credit Crunch.
  • Stanley Cavell and the Event of Romanticism.
  • Tragedy, Translation, and Theory: In Honor of Thomas J.
  • The Politics of Shelley: History, Theory, Form.
  • Percy Shelley and the Delimitation of the Gothic.
  • Romanticism and the Rights of the Negative.
  • On the 200th Anniversary of Lord Byron's Manfred: Commemorative Essays.
  • The Sundry Faces of Nineteenth-Century Anglo-Jewish Literature.
  • Potkay, "Captivation and Liberty in Wordsworth's Poems on Music".
  • Stewart, "Phonemanography: Romantic to Victorian".
  • Chandler, "The 'Power of Sound' and the Great Scheme of Things: Wordsworth Listens to Wordsworth".
  • Wolfson, "Sounding Romantic: The Sound of Sound".
  • “Soundings of Things Done”: The Poetry and Poetics of Sound in the Romantic Ear and Era.








  • Swamp entangler disenchant